Forgotten Women Madam d’Ora- Part Two

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In my previous post, I talked about Dora Kallmus a forgotten pioneer in the world of early photography. In the late nineteenth, early twentieth century Dora broke all the rules in composition and subject matter. Her vibrant, often risqué poses earned her celebrity status, and she soon became the toast of Vienna and much of Europe.

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Yet who has heard of Dora Kallmus?

You can read part one Forgotten Women Madam d’Ora here: https://nicolajmcdonagh.wordpress.com/2019/03/08/forgotten-women-madam-dora-part-one/

Today I will be continuing her amazing story.

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Dora’s studio in Vienna, Atelier d’Ora, was an instant success and helped her to secure her position as The Photographer of a new millennium. Her daring poses and unusual subjects, such as exotic dancers and revealing self portraits, gained her a reputation for taking risks. Exactly what her famous clients craved.

But Dora was ambitious and wanted to attract a wider clientele. So in 1925 she and her assistant Arthur Benda opened a studio in Paris. Although it was a success, Benda preferred his life in Vienna and returned, taking over her studio and renaming it d’Ora-Benda-Wien. His actions caused a rift between them and they never spoke again.

Loosing her technical assistant did not deter Dora and she carried on with her fashion photography and portraits of stars in theatre and the silver screen. But things were about to change for Madame d’Ora. Firstly, when the National Socialists gained power in Germany in 1933. Unfortunately for Dora, the fashion industry collapsed and magazines that featured her photographs were reprimanded for doing so and she was no longer able to show her work in this way.

Second was the German invasion of France in 1940. Dora, despite converting to Christianity, was still a Jew and was forced to sell her Parisian studio. For much of the second world war, Dora went into hiding in such places as a cloister in La Lanvese, southern France and even on a farm. Finally relocating to Austria in 1945. Although Dora survived the rest of her family were not so fortunate and were killed in the holocaust.

The tragedy of the war weighed heavily upon Dora. Her photography changed drastically and she began to turn her talents to photographing the horrors of the aftermath of survivors from concentration camps.

She began a series of documentary photographs capturing the misery of refugees fleeing to Austria. Dora continued to take fashion photographs, but her interests seemed to switch from glamorous photo shoots to dark representations of the horrors of the casualties of war and oppression.

 

Her disturbing series of images from 1950-58 when she was now in her seventies, captures the gruesome and terrifying plight of animals sent to slaughter. She vividly captures the brutality of the slaughterhouses in Paris and in doing so the inhumanity of her fellow man. Perhaps a reflection of what she saw in the concentration camps a decade earlier.

Please visit my Pinterest site to view Dora’s photographs taken in the Parisian abbatoir. I chose not to put them here as some people may find the images too distressing.

https://www.pinterest.co.uk/nikkimcdonagh56/art-and-photographs-that-inspire-my-stories-includ/dora-kallmus-photographs/

When Dora was knocked down by a motorcycle in 1959 she returned to her family home in Frohnleiten Austria, that had been sold under the Nazi rule but then returned to her.Her injuries form the accident meant that she lost most of her memories and could no longer take photographs. She died October 28 1963 at the age of seventy-six.

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Dora Kallmus’s legacy lives on in her outstanding photographic works of art. She was a pioneer in the field of photography and should be remembered for her daring and unique style that brought her fame, fortune, and a passion for pushing the boundaries of the photographic image that influenced many future practitioners in the art.

 

 

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Thank you for reading my post. If you would like to know more about my work please visit my:

website:  http://www.oddlybooks.com/

Amazon Page:  Author.to/BooksonAmazon

 

 

 

 

 

 

 

 

 

 

 

 

 

Inventing A New Language In Science Fiction

Thinkpol. Doubleplusgood. Chepooka. Govoreet. Skazat. IMG_2740

Some of you will recognise the words above the image. They come from two dystopian books. Nineteen-Eighty Four by George Orwell and A Clockwork Orange by Anthony Burgess. Both of these books use an invented language to accentuate the idea of a future world. When I decided to write a Sci-fi/dystopian novel, I too chose to use experimental language. I knew I was taking a chance and that I would probably be turning off a lot of readers because of my choice of language. However, I knew in my gut and heart that the distinctive narrative style worked perfectly for my imagined futuristic world.

In his novel, Nineteen eighty-four, George Orwell introduced words and phrases that were not familiar to readers of that era, to create a futuristic realm where language is used as a weapon to subjugate the masses: duckspeak, thoughtcrime, bellyfeel, doublethink, and speakwrite. Would it have been such a powerful read if the author had not employed the use of such evocative words? Who can forget ‘Newspeak’, or ‘Big Brother’?

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In A Clockwork Orange, the use of slang is vital to the narrative to give credibility to this dystopian future. Alex speaks ‘nadsat’ a language that sets him and his friends apart from the rest of society.

“These grahzny sodding veshches that come out of my gulliver and my plott,” I said, “that’s what it is.”

“Quaint,” said Dr. Brodsky, like smiling, “the dialect of the tribe. “

So, bearing this in mind, when I came to write my Sci-Fi/Dystopian series The Song of Forgetfulness, I made sure that I used words that were appropriate for the world I was creating. Since it is written from the viewpoint of a seventeen- year -old, Adara, in the first person, it was imperative that her voice rang true in order for the characters to maintain credibility in this vision of the future. I created ‘Bubchat’.

“I showed respect and bowed, then turned toward the not-right teen. He gave me a tiny smile, and for reasons I know not, I took his hand and said, “Show me where you splosh.” His face went redder than a bub about to plop and everyone, including me, let out a merry guffaw. I hadn’t meant to use such a nursery word, but when I looked at his soft brown eyes and slender arms I went all mumsly. Not like me at all. I began to wonder if the ‘dults had palmed a soother into my stew.”

First Three Books in SOF Series only 99c Each!! (1) copy

Science fiction and fantasy are the ideal genres for authors to invent new languages and different ways of speaking. To shake off the confines of correct word usage and play around with narrative form. But not everyone warms to such experimentation, and critics often chastise authors for breaking the rules of grammar that ‘The Elements of Style’, by Strunk and White, have branded into the English language. There is a good anti Elements of Style essay by Geoffrey A Pullmen called, ‘50 Years of stupid Grammar’. It will make you think twice before reaching for the Spelling and grammar tool on your computer.

New Book Covers Reveal

I have waited a couple of years to change my book covers for my Sci-fi/Dystopian/Cli-fi series The Song of Forgetfulness. I just couldn’t find he right images that suggested the complexity of the narrative. I’d gone through several designs over a few years and never really liked them. I stopped promoting the books and felt quite low about the whole thing.

Until, quite by chance, when I was taking some photographs using a lens ball.

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I accidentally took my own image reflected in the glass. It was distorted and eerie.

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After tweaking it on Lightroom I realised the images would be perfect for my books and genre. Except for the prequel an apocalyptic survival story based around global warming and the effects it has on nature. The Chronicles of Mayer.

Luckily I have a lot of photographs of insects, animals and flowers. I chose a macro shot of a bumble bee to reflect the theme of the ecological dangers we are facing today. You know the saying, ‘If bees die out we are next.’

So, here are my new covers. I hope you like them.
Please feel free to comment.

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You can purchase all of my books on amazon:

https://www.amazon.com/Nicola-McDonagh/e/B00D4NAH0S

(If you go to the Look Inside and open it you may find that the formatting is weird. I assure you it is fine, it just looks odd on Amazon’s Product Page. The E-book interior is correct.)

New book covers

Celebrate Earth Day

It is Earth Day and people everywhere are rejoicing in celebrating this wonderful planet we live in full of gorgeous flowers, birds and bees.

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Such a shame humans have ruined it. Earth is slowly dying, choked by fumes, plastic, concrete, massive fatbergs clogging sewage systems and pollutants poisoning our fresh water and oceans.

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Now is the time to stop killing our home.

Now is the time to stand up and fight for survival of the Earth and every creature that lives in it.

Now is the time to stop being selfish and live without all the stuff people think they need. 

Now is the time, because we are running out of it.

Please do what you can to make Governments and Companies realise that we can’t go on destroying our habitat for greed. Sign petitions, go on marches, use your car less, go on fewer trips abroad and help us have a future.

This world is beautiful and should stay that way.

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Some of the fiction I write has a clear message about the dangers of ignoring global warming and the damage pollution and deforestation is doing to our world. If you would like to have a look at my books please do so. The Chronicles of Mayer deals with a future where Mother Nature retaliates and mankind is in danger of extinction.

As a catastrophic flood wipes out most of the population of Great Britain, cow herds, Gopi Jnanamaya Kosha (Mayer) and Gopala Arjuna Bhutapanchaka, of Mahabharata House, a Buddhist community, are forced to flee, taking the cows with them.

With water levels rising at an alarming rate, and terrifying storms endangering their pilgrimage, Mayer and Arjuna must battle not only the elements but hungry survivors and rogue soldiers intent on butchering the holy cattle.

Can they build a sanctuary in the mountains of Scotland to secure the survival of mankind if disease, brutal attacks, and infertility threaten to wipe out all human and animal life?

Available on Amazon:

https://www.amazon.com/dp/B074P65LD9

My review of The Orthography of Madness and Misgivings

I haven’t written a blog post for quite a while. So I thought I’d start again with my recent review of a collection of unorthodox short stories from a writer with a dark and creative imagination. I highly recommend this book to anyone who enjoys reading stories that are different and weird.

You can grab your copy here:

Amazon.com: https://www.amazon.com/Orthography-Madness-Misgivings-Micha%C3%ABl-Wertenberg-ebook/dp/B07N5XM1SN

Amazon.UK: https://www.amazon.co.uk/Orthography-Madness-Misgivings-Michaël-Wertenberg-ebook/dp/B07N5XM1SN

 

Refreshingly different

The Orthography of Madness and Misgivings by Michaël Wertenberg is a collection of short stories largely about the human condition when in a heightened state. Most of the tales are gruesome and troubling with some marvellous flashes of magic realism that keep you thinking about them long after you have read them. There are lovely vivid descriptions that make you shudder our laugh. I particularly enjoyed the stories in diary form of the author’s experiences living in different countries. Worth a read if you prefer literary fiction to pulp. There are a few inconsistencies in the narrative that need to be addressed, but nothing that detracts from the overall enjoyment of his work.

 

The Orthography of Madness and Misgivings by [Wertenberg, Michaël]

 

If you would like to see what I’m currently working on please go to my website and click on ‘Work in Progress‘. It’s an Historical Crime Thriller set in Vienna 1899, working title – Black Vienna.

http://www.oddlybooks.com/

The Joy of Hex

Part one: The Power of Words

Today and tomorrow I will be publishing some witchy-type posts especially for Halloween.

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Ever since mankind created language, words have been used to manipulate, enlighten and confuse. So it is little wonder that words should also prove to be powerful weapons in the form of spells, hexes and incantations. Even prayers and hymns have special supernatural powers as they are a way to grab the attention of a god, or gods. Most religions encourage these invocations to create a sense of spiritualisation and ceremony that help the devotee contact their inner soul becoming closer to nature, God, and themselves.

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Certain words have become magical, imbibed with a power that if spoken or written down, can be used as a charm to ward off evil, or cause an adversary to come to harm. The most familiar of these is Abracadabra. Although known as a stage magicians phrase, the word dates back to Roman times and is thought to come from the Hebrew words for the Father, son and Holy Spirit – ‘ab, ben, ruach hakodesh’. Which some say is derived from, Abraxas. This word has special powers as according to Greek numerology, it adds up to 365 which is the number of days in a year.

These words become even more potent if written or said repeatedly. As in the case of Abracadabra, when it is in a pyramid shape and used as a Medicinal charm:

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When mankind began to write words, such magical incantations could now be stored and used at the discretion of the owner. The earliest ‘spell’ comes from ancient Mesopotamia etched onto cuneiform clay tablets found in the city of Uruk somewhere between the 5th and 4th centuries BC.

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Books of magic spells have been around since ancient times and have been used not only for religious purposes but also for science. Alchemists used magic to find The Philosopher’s Stone and turn base metal into gold. Witch doctors and wise women, used words to help heal the sick, and don’t forget early scientists had numerous books for predicting the future through astrology.

In Ancient Egypt, magic and spells were a part of everyday life. The symbolic use of words was very important. Used for protection, to summon gods and demons, and to help loved ones live a happy afterlife. These words are often found etched onto tombs, pillars, and even embalming shrouds, showing just how important magical words were to these superstitious people.

Ancient Egyptian priests used many magic books such as The Book of the Dead, to help those who have died pass on to the next life. The most potent of all was The Book of Dreams. This book allowed people, through incantations, to fall into a dream-like state to travel through time, space, and even to the realm of the dead.

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Papyri Graecae Magicae, or The Greek Magical Papyri is the name for scrolls from Graeco-Roman Egypt, that contain magical spells, formulae, hymns, and rituals dating as far back as the 100s BC to the 400s AD. For use by travelling magicians, scholars and medical practitioners, these ‘books’ have detailed descriptions on how to cast spells, invoke spirts, demons, and even how to create love charms.

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A similar Jewish papyri dating back to ancient Egyptian times, seems to be rooted in performing religious ceremonies to interact with spirits in order gain advantage over another. Names are also important in Jewish magical traditions. In the creation of man, God summons life after a series of ‘speech acts’. Mentioning one of God’s many names can be a powerful tool to finding love or as with Joshua, demolishing the walls of Jericho.

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Later, more textbooks on magic came into existence, such as The Grimoire, or Spell books, which are still used today.

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These books give precise instructions on how to cast a spell and how to create magical amulets and talisman. You can read more about them in this article: https://www.theguardian.com/books/2009/apr/08/history

So for authors, using spells as part of their story, is a natural choice when writing in genres such as fantasy and magic realism. The power of such words evokes a sense of otherworldliness and spirituality that helps a reader to become wholly engaged in what they are reading.

Books, therefore, are magic!

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If you want to learn more about my work, visit my website:

www.oddlybooks.com 

or my Amazon page where all books in my Sci-fi/dystopian series – The Song of Forgetfulness – are on offer for only 99c each!!

https://www.amazon.com/Nicola-McDonagh/e/B00D4NAH0S/

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Watch out for part two – Witches and Witchcraft

Cleo Dalby and the Curse of the Chaos Mummies

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Today I thought I would post a snippet from my middle grade Ancient Egyptian-themed book Cleo Dalby and the Curse of the Chaos Mummies. It’s full of good and evil gods and goddesses, nasty beasts and a battle of life and death to save the world – of course. I plan to send it to some publishers. I am still in the editing stage so any feedback would be noted, and very welcome.

A brief synopsis:

Feisty twelve-year-old Cleo Dalby and her archaeologist mother, find the remains of Imhotep and Hor in the Red pyramid, Dashur, only to discover that not only are the mummies cursed but Cleo is too – with the soul of Seth the god of chaos. When the mummies are stolen by the master criminal Erica Van Clutch, the curse is unleashed along with Seth, who wants to destroy the world. It is up to Cleo and her friends to journey to Duat, ancient Egypt’s afterlife, to find the Book of the Dead to summon Ma-at the goddess of order so that she can destroy Seth.

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 Excerpt from Chapter One – We Are Not Alone

Darkness pushed against Cleo Dalby’s arms and legs as she struggled to make her way through the narrow chamber of the pyramid. Hands outstretched before her, she slid her feet forward, straining to hear something, anything. But every sound, even the skid-slap of her sandals on the stone floor, became lost in the gloom. On Cleo walked, deeper into the world of corpses.

A sigh drifted towards her. It seemed to gather a friend as it neared, and soon the sad laments of two disembodied voices surrounded her. The whispering drifted in and out of her ears like tired moths trapped inside a lampshade.

“We, the dead, quietly rest, hands on chest, faces tilted up to catch a ray of sunlight.”

“But this far below the ground, there is only blackness and the weight of stone.”

“We, the dead, no longer know who we are. Memories fade and melt into our hollow skulls.”

“We, the dead, sometimes whisper to each other.”

“Husks of words from dried up lips that stick to the cold walls, waiting for the living to listen.”

Cleo touched the limestone with her fingertips.

“We, the dead, can feel a presence.”

A breath of ancient brushed past her cheek. She shivered and rubbed her naked arms. The chill slapped onto her legs and spread upwards leaving pimples of stiff-haired unease on her sunburnt flesh. She gulped. “Hello? Is anyone there? My name is Cleo.”

“Is it she?”

“The chosen one?”

“Listen to our warning, child, or torments and madness will shadow your every move.”

“Leave, before evil takes your soul.”

The voices ceased.

There was a smell of rot so strong, she nearly vomited. “What the frog?” The stink disappeared. Cleo shook the torch gripped in her hand. “Stupid froggin’ thing. Work.” She patted it against her palm. “Work.” Something touched her shoulder and Cleo jumped.

“There you are. I thought I’d lost you.”

“Mum, don’t creep up on me like that.”

“I can’t very well do anything else, can I? It’s darker than a black hole in here.”

“I know. I can’t see a froggin’ thing.”

“What do you expect? We are half way down a pyramid. And don’t say, ‘froggin’ I know what it means.”

A sound like the noise from a beehive buzzed inside her head. She put her fingers into her ears and wiggled them until it ceased. “Are you sure we’re the only ones here?”

“Apart from the mummies? Yes.”

“I thought I heard someone say something.” Cleo reached behind her and grabbed her mother’s hand as a gasp swept across their faces. “What was that?”

“I don’t know, I can’t see anything.”

“Sorry, it’s my fault the torch won’t work. I didn’t change the batteries. Although, Mum, if you’d brought wind-up ones we wouldn’t be in this mess.”

“Oh, so now it’s my fault?”

A throaty groan billowed past their open mouths.

“Ah! That horrible sound again.” Cleo swivelled round, buried her head into her mother’s chest and waited for the hideous moaning to go away. The gurgling, growling continued despite the comforting warmth from her mother’s body.

“Why won’t it stop?”

“It has.”

“No, it hasn’t. Can’t you hear it?”

“It’s my stomach.”

“Really?”

“Yes, I’m hungry, we missed breakfast because you slept in.”

“Sorry,” Cleo said and felt her eyes begin to sting.

“Don’t sniffle. Come on, we can’t let some stale air frighten us away. That’s what they want.”

“That’s what who want?” Cleo pulled away from her mother’s tight grip.

“The architects who built the pyramids were clever. They used all sorts of booby traps to scare looters away. All this noise and freezing wind is a just a ploy to put us off the scent. Come on, let’s carry on.” Mrs Dalby tugged at Cleo’s sleeve.

“Okay, but can you light a match at least? I really can’t see where I’m going.”

“There aren’t many left. In the rush to get here I didn’t pack everything.”

“Some holiday this is.”

“What is that supposed to mean?”

Cleo brushed her curly brown hair behind her ears and sighed. “It’s not really a proper holiday ‘cause you were already here as a specialist advisor on that American dig thing.”

“You mean the unearthing of King Senebkay in the ancient city of Abydos.  True, technically I am working, but we are, you know, spending time together.”

“Like a proper family.”

“Yes, except…”

“Dad’s not here.”

“No, he isn’t.” There was a wobble in Mrs Dalby’s voice and Cleo quickly changed the subject.

“Good job Curator Blench gave you that tip off about this pyramid. Now we can finish the job you and Dad started.”

There was a long pause.

“Right then, shall we carry on?”

“’Suppose so. Mum, this is our first expedition together.”

“Yes, it is. Are you okay with that?”

“Yeah, I think it’s awesome.”

“Good. Anyway, we should save the candles since we don’t have many. We’re going to need all the light we can when we find the hidden chamber. So, for now, you’ll just have to put your hands out and feel your way like me.”

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You can lean more about my work here: www.oddlybooks.com

Thanks for reading.

Author Spotlight – Stevie Turner

I am very honoured to announce an author spotlight for the multi-award winning author Stevie Turner. As we speak, her novel, For the Sake of a Child, is being read by a New York film production company after winning a silver award in the Depth of Field International Film Festival competition. To learn more about Stevie, click below:  https://about.me/stevie_turner/ 

Website:  http://www.stevie-turner-author.co.uk

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This award winning novel will be on offer until 7th April for only £0.99! I highly recommend that you get your copy now!

For the Sake of a Child:

Ginny Ford is pleased to win the coveted job of housekeeper to the directors of PhizzFace Inc. However, her joy becomes tarnished by an accidental find whilst cleaning, leading her to suspect that all is not as it should be on the managerial corridor. Delving deeper, she is shocked to uncover corruption and a secret paedophile network that has remained hidden for years, involving the very people she has come to know and trust. Unable to live with her conscience any more, she decides that she cannot keep quiet and that she must find a way of helping all the children involved. However, by trying to help the children she discovers that she has unwittingly put her entire family at risk…..

For the Sake of a Child cover

Amazon.uk:  https://www.amazon.co.uk/Stevie-Turner/e/B00AV7YOTU/

Amazon.com:  http://www.amazon.com/Stevie-Turner/e/B00AV7YOTU/

Amazon Author Page (worldwide):  http://bookShow.me/B00AV7YOTU  

For more information about Stevie and her work please find details below:

YouTube:   https://goo.gl/E8OHai

Goodreads:  https://www.goodreads.com/author/show/7172051.Stevie_Turner

Facebook:  https://www.facebook.com/StevieTurnerAuthor/

Twitter:  https://twitter.com/StevieTurner6

Pinterest:  https://uk.pinterest.com/stevieturner988/

WordPress Blog:  https://steviet3.wordpress.com/

Audible:  http://goo.gl/sz1cXS

Linkedin:  https://www.linkedin.com/profile/preview?vpa=pub&locale=en_US

 Google+:  https://plus.google.com/u/0/105747643789021738179/posts/p/pub

BookSprout:  https://booksproutapp.com/author/875/stevie-turner

Amazon page: http://bookShow.me/B00AV7YOTU

Blog:    https://steviet3.wordpress.com/

 

 

Victory is MINE!!

Hello and Happy Easter!! 

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I thought I would share some good news with you all.

In my last post I talked about Amazon putting a warning up on one of my books, Whisper Gatherers because someone made a complaint that there were a lot of typos in it. The book has been for sale since 2015 with no complaints. The ‘Errors’  Amazon say are there are in fact not typos but the slang-based language I use to create a futuristic world. Rather like George Orwell does in 1984.

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Anyway, after a week of several emails explaining this to them, they have just emailed me to say that they have taken down the warning sign. I am very pleased about that. They did not apologise, however, but hey, whatever.

If you want to take a look at my book without the nasty warning sign, click on the links below the image.

Have a wonderful Easter!

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What if your last day at school turned out to be your first day as a rebel warrior?

Amazon US:

https://www.amazon.com/dp/B00YMSP1UA

Amazon UK:

https://www.amazon.co.uk/dp/B00YMSP1UA

Is This Censorship?

Amazon has a put a warning on my book Whisper Gatherers. A Dystopian/sci-fi novel set some 350 years in the future.

They emailed me to say that they have received complaints that the book has an excessive amount of typos. Now, I use a slang-based language that often combines words to make one long one, much the same as George Orwell does in 1984 – Newspeak, crimestop, thoughtcrime, goodthink, oldspeak, pornosec, unperson, and so on.

I have emailed Amazon to tell them that the ‘Errors’ they showed me are in fact intentional, and add to the futuristic tone of the book. They tell me that I must make the changes they specify or they will keep the warning sign up. Now, that is censoring my writing, isn’t it? Also, since when did Amazon become editors? Because that is what they are effectively doing, editing my work.

This book, Whisper Gatherers has been for sale on Amazon since 2015 without any complaints. In fact, I have received many 4 and 5 star reviews that enjoyed and recognised the quirky use of language. Here is a snippet from one such review:

on December 6, 2016
Dystopian is one of my favorite genres and I try to stay up-to-date with the latest novels. How come I missed this one so late? I don’t know!

The author created a very complex and appealing world I traveled with Adara with great pleasure. I must say the experimental English was at first hard to understand (English is my second language) but as I got used to it, I found it stunning. It helped develop the feeling of being there with the main character who narrates the story.

You can see more here: https://www.amazon.com/dp/B00YMSP1UA

 

Here is the email from Amazon:

Hello,
We’re writing to let you know that customers have reported some quality problems in your book. We confirmed the issues are present in your file and as a result we have temporarily posted a warning message on the book’s Amazon.com Kindle detail page until the issues are fixed.  Please make the following changes and resubmit your content to us as soon as you can:

Error Category: Typo; Kindle Location: 281; Errored text: bordercheckpoint.; Context: We stopped just in sight of the bordercheckpoint. ; Comments: “We stopped just in sight of the bordercheckpoint.” should be “We stopped just in sight of the border checkpoint.”

Error Category: Typo; Kindle Location: 341; Errored text: clothesspace; Context: It worked a treat and I diverted my gloomy musings by searching my clothesspace for stuff to wear at the ceremony. ; Comments: ” searching my clothesspace” should be ” searching my clothes space”

Error Category: Typo; Kindle Location: 755; Errored text: dryingsheet,; Context: I would have ablushed more of my bod, except there was no dryingsheet, so I wiped my damp flesh upon my tunic before returning to the others. ; Comments: “dryingsheet, so” should be “drying sheet, so”

Error Category: Typo; Kindle Location: 1362; Errored text: cleansingplace; Context: Go fetch the medikit from the cleansing area.” “Will do.” I went all quickly into the cleansingplace and opened the cupboard. ; Comments: “cleansingplace and” should be “cleansing place and”

Error Category: Typo; Kindle Location: 1580; Errored text: nanorope,; Context: It was as light as a bub’s eyelash, as strong as nanorope, and as see-through as a raindrop when it came into contact with its owners heartbeat. ; Comments:  “strong as nanorope” should be  “strong as nano rope”

Error Category: Typo; Kindle Location: 1581; Errored text: girlygigs; Context: The Synthbag was a thing all the girlygigs in Cityplace hankered after. ;

Error Category: Typo; Kindle Location: 1584; Errored text: cleansingroom.; Context: I grabbed some of the Medistuff that Santy used to heal my wound and went into the cleansingroom. ; Comments: “into the cleansingroom.” should be “into the cleansing room.”

Error Category: Typo; Kindle Location: 1591; Errored text: cleansingarea,; Context: I sloped off into the cleansingarea, and packed my bloody bits with a reddysponge. ; Comments: “I sloped off into the cleansingarea” should be “I sloped off into the cleansing area”

Error Category: Typo; Kindle Location: 1632; Errored text: comtext; Context: A whole load of comtext appeared. ; Comments: “A whole load of comtext appeared.” should be”A whole load of context appeared.”  This change does not even make sense in context to the narrative, as the character is talking about text on a computer screen, hence the word ‘comtext’.

I have received another email stating that Amazon have taken on board my intentional use of language, and that my book is now in the hands of a Quality team:

Hello,

Thanks for letting us know that your book’s reading experience was intentional.

We’ve forwarded this information to our Quality team for review and we’ll get back to you within three business days.

Now, if this Quality team is an automated programme, I’m stuffed. Putting a warning that states a book is full of typos will have a detrimental effect on the sale of that book, surely? I have added my own ‘warning’ to the book description so that any potential purchaser knows that the language is intentional.  I am very upset about the whole thing.

What do you think?

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What if your last day at school turned out to be your first day as a rebel warrior?