Writers of SciFi Interview with Author Bonnie Milani

Hello everyone. I thought I would share this author interview with a fellow Sci-fi writer Bonnie Milani. 

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This Writers of SciFi Interview is with Author Bonnie Milani. Follow her at:

 Amazon Central , Twitter,  Facebook or Website.

Email address:

bonnie.milani@yahoo.com

Question 1) When did you first realize you wanted to be a Sci-Fi writer?

About the time I figured out how to put words together.

Question 2) What authors and books inspire your writing?

Wow, that’s a tough one. Dickens (baaaaadddd style to copy but addictive reading), Austen, the Bronte sisters, up through Heinlein, Asimov, Pohl, Anderson, Norton, and the writer who quite literally got me to actually start writing Sci-Fi, C.J. Cherryh.

Question 3) Are you an extrovert or introvert? How well do you like book signings and other interaction with readers?

Total extrovert. LOVE meet’n greets! LOVE signings – it’s just that I’m here in LaLa land, so there’re neither many bookstores left nor people willing to show up for a signing unless that person’s a ‘face’.

Question 4) What is unique about writing in your genre?

Sci-Fi, to me, is a technological society’s answer to the ancient world’s mythology. We can’t believe in anthropomorphic gods anymore; even accepting miracles is a challenge these days. Yet to be human is to need to let your imagination roam, to create, to explore. Sci-Fi is the one medium that lets us do so by exploring the possibilities in the tech we’re beginning to create.

Question 5) Have you ever created a character with an actor or a person you know in mind?

Only before I actually started working with the Industry.

Question 6) What inspires you to write?

Life. News magazines. History. Politics. Religion. Crazy relatives…

Question 7) Are you Self-, Indie-, or Traditionally published? Why?

Both traditionally (small press) & indie. I’m glad I went small press to start; my publisher was able to get my debut Sci-Fi novel, ‘Home World’ onto the shelves at Barnes & Noble, as well as into Canada’s Indigo chain. I wouldn’t change the experience for anything. But working Indie requires me to learn to understand the business side of publishing, and I think that’s a necessary piece of knowledge for all writers. Besides, I LIKE working on cover art!

Question 8) Do all authors have to be grammar perfectionists; or do you use a Copy Editor?

With a Master’s in Communication from Stanford, I don’t typically find grammar to be my greatest challenge in writing. There’s such a wealth of alternatives…

Question 9) “Writing is a get-rich-quick scheme.” And, “All writers are independently wealthy.” How true?

Hah! To quote Stan Lee: “’nuff said!”

Question 10) Plotter or Pantser (free flowing)? Do you write from an outline, or just start writing and go with the flow?

I tried just going with the flow when I first started writing waaaaayyyyy back in the day. Never got a story finished that way; always landed myself in a corner with no place for the plot to go. It was terribly difficult to teach myself to outline, but I’ve found the discipline of making myself work out the whole story to be invaluable. Even if the final product winds up bearing no resemblance to the outline at all!

Question 11) What is the secret to becoming a best-selling author?

You tell me we’ll both know. In truth, I believe it’s a combination of producing professional caliber work with a systematic, consistent dedication to market identification and outreach.

Question 12) Do you write book reviews? How important are reviews for your work?

Definitely! I generally won’t review a book I couldn’t finish, but I believe reviews are essential to indie authors’ success. Me, I am ALWAYS hungry for more reviews! Not that I’d stoop to hinting or anything…

Question 13) Do you have a favorite book or series you have written? Which one?

Each story I write is my favorite until the next one comes along. But I have to admit to a special fondness for ‘Liquid Gambit’. It’s the Casablanca tie-in, y’know?

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Question 14) What are you working on next?

I’m trying to clear my decks to dive back into ‘Home World’ and get the series going. I have a generation of stories in my head for that universe!

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Happy New Year – Author Spotlight

I know I’m a little late to wish everyone a Happy New Year, but I broke my wrist Christmas night and have to type using my left hand.

Anyway, stitches are healing and I can now move my fingers, so I would like to start 2018 blog posts highlighting a talented author by the name of Y. Correa.

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Amazon Author Page:

https://www.amazon.com/Y.-Correa/e/B00B32WXFE/

Y. Correa is a literary seductress, luring one in with her talent of Romancing the Words, keeping one hypnotized with dynamic characters, and stimulating one with engaging narrative voices, strong plots, and epic conflicts. Her writes are as complex and as distinct as her person; a delightful combination of eclectic and antiquated. Therefore, the mere mention of fitting into one set genre is laughable. The multi-genre decadence is where she showcases her magnificence.

Y. Correa’s works include:

Solo Works such as
Historical Fiction “MarcoAntonio & Amaryllis”

Sci-Fi Mashup “Earth 8-8-2: The Genesis Project” and “Earth 8-8-2: Genesis’ Rebellion”

Sci-Fi Fiction series “A.L.O.M Episode 1” and “A.L.O.M Episode 2”

Paranormal Romantic Drama “Lilith’s Dominion”

“Ryan” a short story

“Loving … them!” a short story

“The G. Particle” a short story

“Camielle’s Lights” a short story
Anthology Contributions such as
“Alma’s Unsung Angel” featured in “Concordant Vibrancy: Unity

“A Puerto Rican Christmas in New York” featured in “Holiday Keepsakes”

“The Steam of Opposites” featured in “Crackles of the Heart: Divergent Ink Book 1”

“Genomegenics” featured in “Concordant Vibrancy: Vitality”

“Twin Planets” featured in “Concordant Vibrancy: Lustrate”

Would you like to enter into Y. Correa’s dimensions of literary seduction? Then simply connect with her on:

Facebook: https://www.facebook.com/ycorreaauthor

 Google+: https://plus.google.com/u/0/+AuthorYCorrea

or Twitter @YCorreaFB.

Goodreads Offers Kindle EBooks Giveaways-At A Price

Something all published authors need to know about Giveaways.

Nicholas C. Rossis

Goodreads logo | From the blog of Nicholas C. Rossis, author of science fiction, the Pearseus epic fantasy series and children's bookSince March 2016, Amazon has been offering both print and e-book giveaways. Goodreads, however, has only been allowing giveaways of print copies. As my author friend, Elle Boca, notified me the other day, this will no longer be the case.

Goodreads will be introducing its new Goodreads Giveaways program on January 9, 2018. It includes two packages, Standard and Premium. And for the first time, Kindle Direct Publishing authors can run giveaways for Kindle ebooks—a feature previously only available to traditional publishers. The new program, which replaces the current Giveaways program, will initially be for giveaways open to U.S. residents.

However, there is a catch: whereas the old giveaways were free, the new ones come at a steep price that starts at over $100. Specifically, from January 9, 2018, you can choose from the following two packages:

Standard Giveaway

(available in your choice of print book or…

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Short Story Anthology Launch

Here is a blog post about short story writer Paul Toolan. I was drawn to his anthology because of the subject matter, ageing and dementia. We all grow old and with it subjected to illnesses and lapses in memory. Paul uses these themes to conjure up twelve tales to tackle this often sensitive subject.

Please read on and learn some great insight into how the author gets his inspiration.

The characters in this collection are looking back into the half-shaded landscapes of memory. (5)

‘Where do your stories come from?’

 If only I received royalties every time a reader asks me this!

Here, there and everywhere is the true but unhelpful answer. In ‘A View from Memory Hill’, there’s a story called Old Man, Young Pub that was triggered by seeing…an old man in a young pub!

I was at the Brighton Festival [Brighton, England – I used to live there] with old friends/fellow retirees. We dropped in to a wonderful, low-ceilinged pub called The Basketmakers, whose decor has barely been touched since it opened. I remember thinking we were the oldest people there, among many young and lively folk, some dressed in the trendiest fashion, some so far ahead they were next year.

It was a hot day, but as I looked around I spotted an old gentleman in a tweed jacket and tie, standing at the bar, quietly sipping his pint. All around him, bright young things were loud and full of energy. They squatted on bar stools, but no-one offered a seat to the old guy, and his legs could have used one. I wondered about his silent thoughts.

His anonymity, mine too, amongst this colourful crowd threw up a name: Smith. With the conscious germ of a story now in my head, I called him Frank Smith in hope he would eventually be frank enough to tell some sort of tale. I never spoke to this old man, but later when I sat at my keyboard, I spoke to Frank Smith, or he to me. I really don’t know which came first.

What I had was a character and a setting. No plot, no events, no history. Yet. But Frank Smith travelled with me, later in the Arts Festival, to a shabby-chic little theatre where, on hard seats, we watched a trio of skilled actors on a bare, dark stage. Magically, they brought to life some of Damon Runyan’s New York Prohibition stories.

Shortly after, inside that inexplicable swirl called a writer’s head, two separate experiences merged. Frank Smith went to his local pub; and he went to see a play. To keep the story structure tight, I made the theatre a blacked-out room at his pub, and had him go out of sheer boredom. Frank would have liked the Damon Runyan stories, but there’s insufficient conflict in what characters enjoy. I needed to change the play, to find one that Frank Smith liked less, that triggered something of his history, his demons or regrets.

On my bookshelves I have ‘Samuel Beckett: The Complete Dramatic Works’. I browsed through it. ‘Krapp’s Last Tape’ seemed ideal. It featured an old man’s memories, recalled with the aid of an old reel-to-reel tape recorder. Krapp is a drinker too, which resonated with Frank. While flicking through, I revisited ‘Rockaby’, a short Beckett play featuring an old woman in a rocking chair, remembering her past. Within moments, Frank Smith had a wife.

A day or two later, I named her Lucy. Then killed her off. The story would have become a novel if I hadn’t, and I wanted to balance Frank’s ageing memories – of Lucy and others – with voices of youth. So along came the young woman who ushers the audience to their seats in ‘the long thin dark theatre’ where Krapp’s Last Tape is performed. Her surprise that Frank turned up at all, among so many young people, releases the demons that rumbled as Frank watched the play. Short stories need a moment of realisation or change, and the clash between her enthusiasm for the play’s use of the past and Frank’s disturbed memories provided this.

‘We’ve all been something,’ was all he managed to say. ‘Known someone.’

The story might have ended there, but because the theme of age and youth was well-established I felt more could be done. I went back to the keyboard and jiggled the plot, making Frank inadvertently upset the ‘woman in black’, so her young hopes and dreams could quietly confront his regrets.

“In the half-dark, she looked squarely at him, black T-shirt and jeans appraising jacket and tie. A slight twitch flickered her lips. He thought there might be tears.

‘We all have dreams,’ she said, in the quietest voice he’d ever heard. ‘I’d rather dream than drift, any day.’ She pressed her lips together to control the twitch, but it continued. ‘What’s wrong with having dreams?’ she asked.”

This exchange then allowed a more positive development in Frank, making for a more satisfying conclusion [in my view, anyway, but I’d love to hear yours too].

So, a chance observation in a pub, a visit to a play, a book on a shelf, some musings and experiments at the keyboard – and before too long there’s a character’s voice, a felt situation, and a set of realisations. If it was as easy as I’ve made it sound…

I drop in to a pub maybe once week. I’m wondering if I should go more often. Pubs are full of people, and where there are people, there are stories.

a view from memory hill

You can find A View from the Memory Hill here:  smarturl.it/avwm

 

Paul Toolan

 

 

 

 

 

 

 

 

 

WANT SOME FREE SCARY BOOKS FOR HALLOWEEN?

What makes your flesh crawl?

Spiders?

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flies?

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Creepy crawlies?

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If you enjoy a good scare then this Scare-alicious collection of YA tales will give you the chills. As the spooky season approaches wouldn’t it be gruesomely fun to have some creepy reads? If you like horror, eerie, sinister and strange, then this selection of books and stories are for you. Plus they are all FREE!!!

You will have to sign up to the author’s newsletter to get them, but hey, would that be so bad? Who knows you may just find a new author to follow.

My novelette Changeling Fog part of The Song of Forgetfulness Sci-fi/dystopian series, is there for you to enjoy.

So, why not click on the  link below to get your gnarled fingers on some truly spine-tingling reads.

https://books.bookfunnel.com/scarealiciousya

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If you want more strange and  weird stories, check out my anthologies:

Glimmer: myBook.to/Glimmer

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Crow Bones:  myBook.to/CrowBones

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Happy Halloween!!

Creative use of language in novels.

A Slight update to this blog from a few years ago.

Nikki McDonagh - author and photographer

Nadsat, Newspeak and Bubchat

 

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I have been reading mostly science fiction books lately, and I have begun to question why a lot of writers choose not to modify the language they use to create a sense of another time and place. It seems that in the future, vocabulary will remain the same and people will talk to each other exactly the way they do now. Which doesn’t really make sense, does it? The spoken and written word has changed over the years, and most authors have reflected this in their works: from Shakespeare to Bronte, Dickens to Faulkner, and James Joyce to Irvine Welsh.

I overheard a conversation between three teenage girls. I texted a snippet of what they were saying to my friend, who has a fifteen year old, and she said that they were talking about a boy that two of them found attractive, but one of…

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Is Cli-fi the new, hot genre?

Hey everyone, there’s a new, exciting genre in town – Cli-fi.  Or – Climate change novels.

It seems I’ve been putting my Song of Forgetfulness Sci-fi/Dystopian series in the wrong category.

According to an article in The Guardian, the genre has been around for some time, possibly as early as 2003 with Margaret Atwood’s  The Year of the Flood and Oryx and Crake. 

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Also, Ian McEwan’s novel Solar, is cli-fiso clearly not that new. You can read the full article here: https://www.theguardian.com/books/2013/may/31/global-warning-rise-cli-fi

Having looked up some Cli-fi, I think the genre is a little vague and saturated by all sorts of dystopian, sc-fi, YA, romance…in short, a lot of authors seem to be using the term quite loosely. Which is a good thing, especially with a sub genre that isn’t too well known. Perhaps now is the time to promote this category to raise awareness of global warming and the fragility of our beautiful planet.

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Until I read about Cli-fi in a post by Lisa Rowan, I’d never heard of it. Stupid me!  I mean all of my books in The Song Forgetfulness series deal with climate change and the effects it has on future generations as they struggle to survive in a hostile world. As well as a host of other things too numerous to mention here. Kind of exactly the definition of this ‘new’ genre.  Well, now I know.

You can read Lisa’s article here:  https://thewritelife.com/climate-fiction/?utm_source=The+Write+Life&utm_campaign=48836be01b-main_list_11_6_13_11_5_2013&utm_medium=email&utm_term=0_ae07a22b59-48836be01b-106451265&mc_cid=48836be01b&mc_eid=126bf35b6a

Right, I ‘m off to Amazon to change my subheading and a category or two.

 If you want to have a look at my work and decide if it is indeed – Cli-fi – check out my new release – The Chronicles of Mayer, prologue to the series mentioned above.

http://myBook.to/ChroniclesMayer

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Let’s start reading more Cli-fi folks!

Wishing you all a safe and happy day.

Can cats and chickens become friends – part two.

In my previous post, you can see it here:

https://nicolajmcdonagh.wordpress.com/…/can-cats-and-chick…/

I talked about my cat Kimi and how she has bonded with our new hens.

kimi hen 4

I also mentioned that the chickens are kept away from our other cats, who aren’t as easy going as Kimi. Well, one of our feline friends got sight of our poultry for the first time and had a rather strange reaction.

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Mind you, if I were the size of Storm, the cat above, I would be a little frightened by these rather large birds with their massive feet and intense gaze.

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Just as well they have separate gardens to hang out in. Calypso and her brother, Rasky, have a more relaxed approached to these big birds.

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On another note, my bee garden is a success. It looks so pretty and is attracting all kinds of bees and other fertilising insects. It is also kept well away from the marauding chickens.

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Buck-buckaww folks!

Can cats and chickens become friends?

We recently acquired four hens.

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They are lovely creatures, making cute clucking sounds and pottering about the garden, they love nothing more than to dig, eat, lay eggs, follow us around and, oh yes, hang out with our cat Kimi.

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Now, we have several other cats, who live in a separate enclosed garden well away from our nearly flightless fowl, and we would never allow them near  these vulnerable birds. But Kimi? Well, she is different. Everyone likes Kimi.

Kimi is unique. She loves other creatures, especially other cats – except for Katya.

 

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They have a pact. ‘I don’t bother you, you don’t bother me and we’ll get on just fine.’

We were tentatively sure that Kimi would be okay with the hens. She had a stroke a couple of years ago and still can’t get around all that well. She is also deaf and at thirteen, is getting a little bit old, so we didn’t envisage her pouncing on our birds.

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What we didn’t expect was how the chickens reacted to her.

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As you can see, they seem quite smitten.

I guess the answer to my question is, yes, cats and chickens can get along. It all depends on the cat.

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